Bands Across The Prairie
The 12th Annual Bands Across the Prairie
Marching Invitational will be held Saturday, September 22, 2012
Registration fee is $140 Be sure to register TODAY!
This year's exciting show will be limited to the FIRST 20 BANDS WHO SUBMIT THEIR $140 REGISTRATION FEE.
So don't delay, reserve a place for your band by sending your $140 registration fee, TODAY!
The show fills up quickly!
Complete your band's reservation online
WHEN
YOU ARRIVE ON CAMPUS: Please be aware that we
will reserve one spot per band for parking adjacent to the stadium for
your choice of an equipment trailer or an equipment van/bus. All other
buses and vehicles will be parked in the Bus Lot immediately to the
west of our performance complex (see map).
Also, no motorized vehicles will be allowed on the stadium track at
any time. IN
CASE OF INCLEMENT WEATHER: On the day of the show,
you will be in close contact with Scott Schultz, our SHOW DIRECTOR.
Mr. Schultz has served for 31 years as the Visual Coordinator of the
Prairie "Hawks" Marching Band, and is responsible for designing
much of the unique visual effects that have become a hallmark of our
marching program. Mr. Schultz has an extensive drum and bugle corps
background including Drum Major for the 1975 DCI World Champion "Madison
Scouts," in addition to nearly a decade of involvement at all levels
with the "Emerald Knights"/"Nite Express" Drum and
Bugle Corps of Cedar Rapids. Scott is employed as a Manager of Computer
Systems at Aegon USA, in Cedar Rapids. His experience and expertise
will prove invaluable to the success of our "Bands Across the Prairie"
Marching Invitational. Phone contacts for the day
of the show only, please: Questions? Comments? E-mail
Craig Aune! CATEGORIES OF ADJUDICATION MUSIC - GENERAL EFFECT: [300 Points] MUSIC - EXECUTION: [200 Points] MARCHING & MANEUVERING - GENERAL EFFECT:
[300 Points] MARCHING & MANEUVERING - EXECUTION: [200
Points] PERCUSSION: [100 Points] COLOR GUARD: [100 Points]
Submit Band and Program Information by September 1:
Save and email or fax
Take the road around the perimeter of the
campus until you are greeted by our parking attendants and host committee.
You won't have to find your way around or wonder where to park!
We will move the show indoors to our enormous triple-gymnasium. We will
then have stand-still performances and review that will still include
full adjudication with large screen video critique, a CD recording,
and professional video tapes!
Mr. Scott Schultz, Show Director: cell phone 319.533.2454
Stadium Press Box phone: 319.848.5470
Adjudicated from up in the Press Box, this caption
considers the overall effect and impact of the performance from a musical
standpoint. Three main areas of concern on the judge's ballot include
musical content, performance effectiveness, and coordination of the
music to the visual elements of the show.
Adjudicated down on the field, this caption considers
the musical performance on an individual level. Within the three main
areas of brass, woodwinds, and percussion, the judge's ballot considers
accuracy of notes and rhythms, phrasing, precision, and the overall
level of difficulty of what is being performed.
Adjudicated from up in the Press Box, this caption
considers the overall effect and impact of the performance from a visual
standpoint. Four main areas of concern on the judge's ballot include
visual repertoire, showmanship, definition of patterns, and use of auxiliary
personnel and equipment.
Adjudicated down on the field, this caption considers
the level of uniformity within the band during the performance. Four
main areas of concern on the judge's ballot include accuracy and definition,
exposure to error, poise, and the technique utilized by the auxiliary
personnel.
Adjudicated down on the field, this caption examines
both the Battery (marching percussion members) and the Front Ensemble
(grounded "pit" percussion members). Ballot considerations
include level of demand, exposure to difficulty, individual and ensemble
technique, and overall musicianship.
Adjudicated from up in the Press Box, this caption
considers the overall effectiveness of the auxiliary members of the
ensemble, both in terms of individual performance as well as in relationship
to the entire band's performance. Three main areas of concern on the
judge's ballot include level of artistry, level of achievement, and
the utilization of time and space.
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